Revised Storybaord

Myself, Isabel and Oscar have gone about going through the script to create a new version of the storyboard. For the sake of putting one together that was quick but understandable, we kept the details in the drawings brief to roughly show what we had in mind for the shot. This saves us a lot of time. A lot of what we've done is simplify shots so that we can film one sequence in one take rather than break it apart where we don't need to.

For example, shot one can be the master shot whilst retaining the pull out movement. At the same time, it establishes the setting and object around the character without the need to cut to them which directly focuses the audience's attention on them. As Roger Christian states "dressings and props should be natural and in a way unseen" (Cinema Alchemist 2016)