Adjusting The Storyboard

From Isabel's original storyboard layout, I have since printed them out and cut them up so that I can see how the edit is predicted to look. It also gives me freedom to move, add and remove shots to the storyboard. After I set this up, I spoke with Marlon, Lilli and Georgie about their thoughts on the shots that myself, Isabel and Oscar our first AC and sound artist, had came up with.

Marlon Lilli and Georgie say that they are happy with the layout, save for a few minor things: The climax needs more hand held movement and shot that are framed closer to the actor to show more of the emotions he's feeling at that pinnacle point of frustration. Marlon also suggested adding an extra shot of the actor picking up a photo frame he knocks over. A close up focusing on how happy he looks we his girlfriend (or friends) with a large crack going through it; as a result of him knocking it over.

I've made note of the changes and will set about amending the shot list and finalising the storyboard so that we can create a shooting schedule.